listen and see

who

Jon Rimmerman built Garagiste into the world's largest email-based wine business by ignoring everything the industry told him to do.

The New York Times calls him, "a conduit of culture."

GQ describes him as “the man who blew up the whole wine world.

MAVERICK

No website for the first 14 years.

No advertising, ever.

Just daily stories sent to his 300,000 strong community linking them to places the established system overlooked.

EXPLORER

Turkish back roads.

Sicilian volcanoes.

Seattle basements where EPA scientists make Dolcetto after hours.

Always on the road, Jon discovers producers making wine in basements, warehouses, and abandoned vineyards.

CONNECTOR

Daily stories.

Concrete, sensory, connection to let readers feel and see the invisible web of people, place and process.

BUILDER

What Rimmerman built with wine took thirty years and a network of makers and believers.

arms around the world is the next step forward.

  • another step

    In a now or never moment, Rimmerman got in his car. No gear. No second guessing. He wrote the songs on the way.

  • "I'm here to record a record."

    Rimmerman showed up at Hidden City Studios in Santa Barbara with his Fiat full of equipment and knocked on the door. Grammy-nominated engineer Elliott Lanam answered, mid-session. "Are you a street hooligan? Are you going to kill me?"

    Lanam gave him five minutes.

    Rimmerman pulled out his laptop and started playing songs. At song eight, Lanam stopped him: "What you just played is the best music I've heard in a while."

  • feedback-soaked indie rock

    With wine, Rimmerman makes the invisible visible—place, people, and process, connection. With arms around the world, he creates a soundscape where analog warmth meets diamond-tipped clarity, and rhythmic movement narrates melody.

    Lush, loud, tuneful, the music offers eminently engaging and unapologetically hooky music, wrapped in distortion and charm.

what

Lyrical. Cinematic. Bone-deep.

Jon Rimmerman's debut album treats sonic curation the way great wine lists treat terroir—with obsessive care for place, people and process.

The same instinct that made Rimmerman a cult phenomenon in wine now layers guitar interplay, Rickenbacker jangle, and melodic hooks that one UK A&R veteran described as "Kings of Leon having a spot of tea with Cheap Trick."

The result is a point of view that took decades to form — shaped by writing, tasting, listening, and connecting dots across wine, food, and culture. It arrives fully built.

Jon Rimmerman seems to have emerged fully formed out of nowhere.
— Hobart Rowland, Magnet Magazine

why

Thirty years of traveling half the year teaches you one thing: nothing exists in isolation. Not a wine. Not a song. Not a city block. Pull on any thread and the whole web moves.

BRAND IDENTITY

The network is the narrative.

For thirty years, Rimmerman built Garagiste around a single conviction: that what ends up in the glass is inseparable from the relationships behind it — to the land, to the process, to the people who make things with care.

arms around the world is here to say that conviction doesn't stop at wine. The same web of relationships that produces a great bottle produces a great loaf of bread, a great record, a great cup of coffee. What makes a place worth living in is the density and health of that web.

Come along and taste it.

ELEMENTS

  1. Universe: Terroir expanded beyond wine to include music, food, urban culture, creative communities

  2. Main Character: Jon Rimmerman, cultural explorer

  3. Archetype: Jon as Explorer (curious, reveals networks, resists commodification) / Magician (revealing everyday food. wine and music as a primary means of connection and meaning)

  4. PlotDiscovery → transformation through active engagement

  5. Tone: Curious, sensory, grounded, connective

  6. Visual language: Cinematic; plays with figure/ground, positive/negative space, scale; optical illusions; maps + network diagrams

  7. Audience role: Co-creators, not passive consumers

PERSONALITY

  • Curious (explores without predetermined answers)

  • Sensory (concrete, tactile, specific)

  • Direct (close, never at arm's length)

  • Cinematic (wide frame, specific detail, visual in texture)

  • Grounded (clear-eyed about how things work)

  • Connective (reveals relationships and invisible infrastructure)

  • Participatory (inviting, seeking to engage)

VOICE

Concrete sensory detail over abstract concepts

  • The overturned wastebasket hi-hat

  • The 1964 Super Reverb amp

  • Turkish back roads, Sicilian volcanoes; EPA scientists

  • Process, places, and creators as characters

PRINCIPLES

  • Context shapes content

  • let 10,000 flowers bloom in their own ecosystems

  • Everything is connected—wine, food, music, one thread

  • sensory experiences: listen and see

  • Creativity, craft, and attention are the connective tissue of community

WE ARE NOT

  • Nostalgic

  • Exclusive (we demystify, we invite in)

  • Transactional

  • Cynical

  • Loud

  • Generic

  • Precious

  • Slick

  • Exclusive

how

Everything here is built to travel. Album art, merch, visual identity, and direct links to the press kit and playlist — assets for partners, press, and collaborators working with arms around the world.

Shelf Life

Jon Rimmerman has spent thirty years building one of the most engaged direct audiences in the food and wine world. 300,000 Garagiste subscribers trust him as a curator and cultural authority — sophisticated tastemakers at the intersection of music, food, and wine who understand that supporting people who make things with care is what keeps those things alive.

The artists we want to sit down with are musicians who are using their stage to create meaning and resonance around food, wine, and land: their paths intersect with Jon’s from different directions. Shelf Life is the conversation that happens when they sit down and compare what they found.

A commodity has a shelf life measured in efficiency. A vintage has a shelf life measured in meaning. Shelf Life is about the people — musicians, chefs, artists and artisans — who are choosing meaning. And the wild ecosystems of food, wine, and music that only survive because they do.

We are not asking your artists to promote anything. We are inviting them into a room built for exactly the conversation they're already having — and introducing them to an audience that's been waiting to meet them.

A Field Series

Each episode begins with a subject — a specific domain the guest has lived inside: natural winemaking, biodynamic agriculture, artisan food production, the rebuilding of a regional food culture. Jon brings thirty years of wine and food expertise to bear on that subject, and the conversation follows wherever it leads.

The education is the promise. The wandering is the experience. Episodes are filmed in the guest's territory — the vineyard they work, the farm they built, the market they shop, the city block that raised them. No desk. No backdrop. No studio energy

What This Is Not

Shelf Life is a conversation about craft, place, and the ecosystems that sustain them. Nothing more.

Non-promotional No endorsement requirement of any kind.

No product placement‍ ‍The conversation centers on ideas, not sales.

No commercial integration No brands, no sponsors, no paid mentions.

Editorial independence The subject and direction of conversation agreed in advance.

Clips for artist use Short-form cuts made available for the artist's social channels.

Minimal disruption Coordinated around the artist's existing schedule and geography.

The Right Conversation

We are seeking artists for whom place, process, and cultural ecosystem are central — not incidental — to their work. People whose audiences trust them not just as performers but as cultural figures with genuine depth and genuine commitments outside music.

The conversations we want to have are about natural wine and indie rock sharing the same outsider ethic. About biodynamic farming and what it takes to restore a neglected landscape to full life. About what it means to rebuild a food culture from scratch after it's been nearly destroyed. About the specific people — the farmers, the chefs, the winemakers, the venue owners — who keep these ecosystems alive when nobody's watching.

This is a recognition, not an introduction. We are inviting people who already understand what we are doing into a room built for exactly this conversation — to explore how terroir extends beyond agriculture and into all forms of cultural production. We are asking you to make that introduction possible.

Every episode builds the cultural context for Jon as a recording artist — establishing him in ongoing conversation with the music world rather than as a one-time album release. And every episode extends the Garagiste audience's relationship with the artists they should already know.

About Jon Rimmerman

Thirty Years on the Road

Jon Rimmerman is the founder of Garagiste, widely recognized as one of the most influential voices in independent wine culture. Over three decades he has built a direct audience of 300,000+ subscribers through a daily email that combines deep wine knowledge with literary storytelling — profiled by the New York Times and GQ, trusted by tastemakers across the food, wine, and music worlds.

Garagiste's founding conviction: that what ends up in the glass is inseparable from the relationships behind it — to the land, to the process, to the people who make things with care. Shelf Life extends that same conviction into music. The web of relationships that produces a great bottle produces a great record, a great restaurant, a great city block worth living on. Jon has spent thirty years learning to read those webs. Shelf Life is what happens when he sits down with the musicians who built them.

arms around the world — Jon's debut album — was released January 2026 on Shy Sounds label, recorded at Hidden City Studios in Santa Barbara. It reached #16 on the NACC Sub-Modern Albums chart, with college radio airplay across 42 stations in 20 states.

an interview series

Shelf Life

MOOD BOARD

VISUAL IDENTITY (snapshot)

stacked typemark, white

chop, white

horizontal typemark, white

music@armsaroundtheworld.music