listen and see

who

Jon Rimmerman built Garagiste into the world's largest email-based wine business by ignoring everything the industry told him to do.

The New York Times calls him, "a conduit of culture."

GQ describes him as “the man who blew up the whole wine world.

MAVERICK

No website for the first 14 years.

No advertising, ever.

Just daily stories sent to his 400,000+ strong community linking them to products outside of established distribution systems

EXPLORER

Turkish back roads

Sicilian volcanoes

Seattle basements where EPA scientists make Dolcetto after hours

Always on the road, Jon discovers producers making wine in warehouses, and abandoned vineyards, harvesting pine sap resin in the Pyrenees, and picking pepper corns in Nepal

CONNECtor

DAILY STORIES

Concrete, sensory, connection to let readers feel and see the invisible web of people, place and process

BUILDER

What Rimmerman built with wine took thirty years and a network of makers and believers

arms around the world is the next step forward

what

Everything is connected: food wine and music, one thread.

arms around the world — series

Shelf Life

We all expire — what will you do until then?

The Series

Adventures and conversations about the wild ecosystems of food, music, art, culture and love — and the fragile webs of relationship that keep them alive.

Nobody notices until the tomatoes taste different. And then nobody remembers what they tasted like before.

Shelf Life is a living exposé, an in-the-field document. Each episode follows Jon Rimmerman — a 30 year finder of irreplaceable things — into the places where these ecosystems intersect and breathe. These places are both rare and everywhere. This show offers a lens through which to witness, recognize, and participate in their existence.


The Conversation

A recognition, not an introduction.

The guests Jon wants to meet are people for whom place, process, and cultural ecosystem are not incidental — they’re the whole story. This is the conversation where a musician, artist, chef or producer gets to talk about the thing they never get asked about in interviews — the obsession, the detour, the passion that looks unrelated until it turns out to be the thread running through everything.

In the vineyards of Burgundy and Napa and Walla Walla. In wheat fields in remote corners of Italy. In the salt flats of the Algarve, Brittany and Croatia. In small jars of honey that taste like a specific hillside on a specific afternoon. In record shops and radio stations and rooms where someone is doing something that quietly (persistently) changes how everything around them behaves.


Format
  • Long-form conversation + field footage
  • No desk. No backdrop. Filmed in the guest's own territory.
  • Non-promotional. No product placement. Full editorial independence.

The Audience

The Garagiste audience — 400,000+ sophisticated tastemakers at the intersection of music, food, and wine — understands that supporting people who craft with attention and respect is what keeps the energy and beauty of our world alive. They are already waiting to meet the guests we bring into this room.


About Jon Rimmerman

Jon Rimmerman has spent thirty years in pursuit of what he calls vinous truth — the honest expression of a place, a practice, and the specific people who make something real possible. As founder of Garagiste, he built an audience of almost 500,000 subscribers not by selling wine but by finding it: in basements, on back roads, at the end of fences he probably shouldn't have crossed. The conviction that drove all of it — that what ends up in the glass is inseparable from the relationships behind it — doesn't stop at wine. It never did. Shelf Life is what happens when that same instinct follows the thread into music, food, art, and culture.

"A conduit of culture" — The New York Times
"The man who blew up the whole wine world" — GQ

Jon Rimmerman's debut album treats sonic curation the way great wine lists treat terroir—with obsessive care for place, people and process.

The same instinct that made Rimmerman a cult phenomenon in wine now layers guitar interplay, Rickenbacker jangle, and melodic hooks that one UK A&R veteran described as "Kings of Leon having a spot of tea with Cheap Trick."

The result is a point of view that took decades to form — shaped by writing, tasting, listening, and connecting dots across wine, food, and culture. It arrives fully built.

Creativity and passion sit at the core of who Jon Rimmerman is
— Chr1stoph3r g0nda, V13 Media
Jon Rimmerman seems to have emerged fully formed out of nowhere.
— Hobart Rowland, Magnet Magazine

The album premiered exclusively in Magnet Magazine in January 2026, recorded with Grammy-nominated producer Elliott Lanam at Hidden City Studios in Santa Barbara. Since then: a #16 peak on the NACC Sub-Modern Albums chart and #21 Most Added nationally across a 42-station college radio campaign, with breakout single "Dust" crossing into commercial specialty programming.

On YouTube — where the audience lives — the channel has grown to over 87,000 subscribers and 3 million views, up 70% in 90 days. Chartmetric ranks the project Top 2% globally, up 66,000 positions in the past 30 days.

why

Thirty years of traveling half the year teaches you one thing: nothing exists in isolation. Not a wine. Not a song. Not a city block. Pull on any thread and the whole web moves.

BRAND IDENTITY

The network is the narrative.

For thirty years, Rimmerman built Garagiste around a single conviction: that what ends up in the glass is inseparable from the relationships behind it—the land, the process, and the people who make things with attention.

arms around the world is here to say that The Living web of relationships that produces a great bottle produces a great loaf of bread, a great record, a great cup of coffee. What makes a place worth living in is directly connected the density & health of its intersecting webs.

Come along and taste it.

ELEMENTS

  1. Universe: Terroir expanded beyond wine to include music, food, urban culture, creative communities

  2. Jon Rimmerman, cultural explorer

  3. Characteristics: Explorer (curious, reveals networks, resisting commodification) / Translator (revealing everyday food. wine and music as a primary means of connection and meaning)

  4. PlotDiscovery → transformation through active engagement

  5. Tone: Curious, sensory, grounded, connective

  6. Visual language: Cinematic; plays with figure/ground, positive/negative space, scale; optical illusions; maps + network diagrams

  7. Audience role: Co-creators, and participants

PERSONALITY

  • Curious (explores without predetermined answers)

  • Sensory (concrete, tactile, specific)

  • Direct (close, never at arm's length)

  • Cinematic (wide frame, specific detail, visual in texture)

  • Grounded (clear-eyed about how things work)

  • Connective (reveals relationships and invisible infrastructure)

  • Participatory (inviting, seeking to engage)

VOICE

Concrete sensory detail over abstract concepts

  • The overturned wastebasket hi-hat

  • The 1964 Super Reverb amp

  • Turkish back roads, Sicilian volcanoes; EPA scientists

  • Process, places, and creators as characters

PRINCIPLES

  • Context shapes content

  • let 10,000 flowers bloom in their own ecosystems

  • Everything is connected—wine, food, music, one thread

  • sensory experiences: listen and see

  • Creativity, craft, and attention are the connective tissue of community

WE ARE NOT

  • Nostalgic

  • Exclusive (we demystify, we invite in)

  • Transactional

  • Cynical

  • Loud

  • Generic

  • Precious

  • Slick

  • Exclusive

  • another step

    In a now or never moment, Rimmerman got in his car. No gear. No second guessing. He wrote the songs on the way.

  • "I'm here to record a record."

    Rimmerman showed up at Hidden City Studios in Santa Barbara with his Fiat full of equipment and knocked on the door. Grammy-nominated engineer Elliott Lanam answered, mid-session. "Are you a street hooligan? Are you going to kill me?"

    Lanam gave him five minutes.

    Rimmerman pulled out his laptop and started playing songs. At song eight, Lanam stopped him: "What you just played is the best music I've heard in a while."

  • feedback-soaked indie rock

    With wine, Rimmerman makes the invisible visible—place, people, and process, connection. With arms around the world, he creates a soundscape where analog warmth meets diamond-tipped clarity, and rhythmic movement narrates melody.

    Lush, loud, tuneful, the music offers eminently engaging and unapologetically hooky music, wrapped in distortion and charm.

how

Everything here is built to travel. Album art, merch, visual identity, and direct links to the press kit and playlist — assets for partners, press, and collaborators working with arms around the world.

MOOD BOARD

VISUAL IDENTITY (snapshot)

stacked typemark, white

chop, white

horizontal typemark, white

music@armsaroundtheworld.music